Werkverzeichnis von Natalia Domínguez Rangel
Biografie
| Titel ↓↑ | Entstehungsjahr ↓↑ | Dauer | Gattung(en) | Besetzung | Hinweise |
|---|---|---|---|---|---|
| The Fluttering Being | 2022 | Filmmusik | |||
| HYPERNATURES | 2022 | Performance, Klanginstallation | Elektronik | ||
| ENDLESS | 2022 | Ensemblemusik | Kammerorchester/Ensemble | ||
| WINDSHIELD | 2021 | Klanginstallation | |||
| FEMALE ORGASM | 2021 | Elektronische Musik | Elektronik | ||
| Anamnesis | 2021 | Klanginstallation | |||
| Connecting Acoustic Spaces | 2020–2022 | Klanginstallation, Elektronische Musik | Elektronik | ||
| LUMEN | 2020 | Vokalmusik | Chor, Frauenchor | ||
| "Overlap" from the series Acoustic Ecologies | 2020 | Klanginstallation | |||
| After Beuys | 2020 | Klanginstallation | |||
| SOFT SKILLS | 2020 | Performance | Elektronik | ||
| Étude 2 - between the artificial and the natural. | 2020 | Elektronische Musik | Elektronik | ||
| Étude 1 - between the artificial and the natural. | 2020 | Elektronische Musik | Elektronik | ||
| I feel you | 2020 | Klanginstallation | Elektronik | ||
| Inevitable Imprint: Sunbathing Under Electromagnetic Waves | 2020 | Multimedia/Intermedia/Video | Elektronik | ||
| SHE WOLVES | 2019 | Videospielmusik | |||
| ENTSCHIEDEN PSYCHOLOGISCH - der Blick des Wilhelm Salber | 2019 | Filmmusik | |||
| Split Hatch Mutable Double | 2019 | Filmmusik | |||
| Dirt and Class | 2019 | Performance, Multimedia/Intermedia/Video | |||
| The Sasha | 2019 | Filmmusik | |||
| HCT rooted Freq | 2019 | ||||
| L I S T E N | 2019 | Klanginstallation | Elektronik | ||
| The Invisible | 2019 | Ensemblemusik, Vokalmusik | Solostimme(n), Duo, Elektronik | ||
| HOWL | 2019 | Performance, Klanginstallation | |||
| Failed Architecture | 2018 | Radiophonie / Hörspielmusik | |||
| G#m prelude | 2018 | Sololiteratur | Soloinstrument(e) | ||
| Under Saturn (Act 1 & 3) | 2018 | Filmmusik | |||
| Attending to Agnes | 2018 | Filmmusik | |||
| Corrupted Air – Act VI | 2018 | Multimedia/Intermedia/Video, Klanginstallation | Elektronik | ||
| Eviction in Shenzhen | 2018 | Filmmusik | |||
| Box of Pain | 2017–2018 | Klanginstallation | |||
| Untitled experiment with no image | 2017 | Filmmusik | |||
| Isotropy | 2017 | Klanginstallation | Elektronik | ||
| All We Do Is Live | 2017 | Klanginstallation | Elektronik | ||
| Pfaueninsel | 2016–2019 | Filmmusik | |||
| 10'01'' | 2016 | 10m 01s (loop) | Klanginstallation | Elektronik | |
| RRRRR | 2016 | Performance | Elektronik | ||
| Palace Ruin | 2016 | 14m 25s (loop) | Klanginstallation | Elektronik | |
| 5.1 | 2016 | Ensemblemusik, Elektronische Musik | Quartett, Elektronik | ||
| Un tirano meláncolico | 2015 | 11m | Klanginstallation, Elektronische Musik | Elektronik | |
| A melancholic tyrant – ‘Sirirí’ | 2015 | Klanginstallation | Elektronik | ||
| Sculpting Fear | 2015 | Performance, Klanginstallation | |||
| Song Cycle - Convulsions of Time | 2015 | 55m | Ensemblemusik, Vokalmusik, Elektronische Musik | Solostimme(n), Duo, Elektronik | |
| Revitalise | 2015 | Filmmusik | |||
| Silbersee | 2015 | Filmmusik | |||
| Ruins In Reverse | 2014 | Elektronische Musik | Elektronik | ||
| Hmm | 2014 | 1h | Performance | Elektronik | |
| Resurrections | 2014 | Filmmusik | |||
| Speech Perceptions | 2009 | ~ 6m | Ensemblemusik | Kammerorchester/Ensemble | |
| Sacapotras | 2008 ? | ~ 2m | Sololiteratur | Soloinstrument(e) | |
| Las casas del Ferrocarril | 2008 | ~ 8m | Ensemblemusik | Oktett | |
| Statisch Vooruitgangsmonument | 2008 | 23m | Filmmusik, Ensemblemusik | Quartett |